Master and Commander: The Far Side of the World

2003 film by Peter Weir

Master and Commander:
The Far Side of the World
Master and Commander-The Far Side of the World poster.png
Theatrical release poster
Directed byPeter Weir
Screenplay by
Based onAubrey–Maturin series
by Patrick O'Brian
Produced by
Starring
CinematographyRussell Boyd
Edited byLee Smith
Music by
Production
companies
Distributed by20th Century Fox[note 1]
Release date
  • November 14, 2003 (2003-11-14)
Running time
138 minutes[2]
CountryUnited States
LanguageEnglish
Budget$150 million[3]
Box office$211.6 million[3]

Master and Commander: The Far Side of the World is a 2003 American epic period war-drama film co-written, produced and directed by Peter Weir, set during the Napoleonic Wars. The film's plot and characters are adapted from three novels in author Patrick O'Brian's Aubrey–Maturin series, which includes 20 completed novels of Jack Aubrey's naval career. The film stars Russell Crowe as Aubrey, captain in the Royal Navy, and Paul Bettany as Dr. Stephen Maturin, the ship's surgeon. This is the second onscreen collaboration for Crowe and Bettany, who previously co-starred in 2001’s A Beautiful Mind.

The film was a personal project of Fox executive Tom Rothman, who recruited Weir to helm the project. Filming took place on the open sea, on replica ships in the water tanks of Baja Studios, and on the Galápagos Islands. The film, which cost $150 million to make, was a co-production of 20th Century Fox, Miramax Films, Universal Pictures, and Samuel Goldwyn Films, and released on November 14, 2003. It was a moderate success at the box office, grossing $212 million worldwide.

The film was critically well received and garnered Weir the BAFTA Award for Best Direction. At the 76th Academy Awards, the film was nominated for 10 Oscars, including Best Picture and Best Director. It won Best Cinematography and Best Sound Editing. In June 2021, a prequel film was announced to be in development.

Plot

During the Napoleonic Wars, Captain Jack Aubrey of frigate HMS Surprise is ordered to intercept the heavy frigate Acheron, a French privateer. Acheron surprises Surprise off the coast of Brazil, causing heavy damage while easily withstanding Surprise's return fire. Jolly boats are used to tow Surprise into a fog bank, ending the battle. Aubrey's officers tell him that Surprise is no match for Acheron, and that they should abandon the chase. Aubrey responds that Acheron must not be allowed to plunder the British whaling fleet and orders Surprise refitted at sea, rather than a lengthy return to port for repairs. Shortly afterward, Acheron again ambushes Surprise, but Aubrey slips away in the night by using a decoy raft and ship's lamps.

Following the privateer south, Surprise rounds Cape Horn and heads to the Galápagos Islands, where the whaling fleet is concentrated. The ship's surgeon, Stephen Maturin, is interested in the islands' unique flora and fauna, and Aubrey promises his friend several days' exploration time. However, when Surprise reaches the Galápagos, they recover the survivors of a whaling ship, Albatross, burned by Acheron. Aubrey hastily pursues the privateer, dashing Maturin's expectation of more time to explore.

Surprise is becalmed for several days. The crew becomes restless and disorderly, and superstition begins to take hold among them. Midshipman Hollom, already unpopular with the crew, is named a "Jonah" by the sailors (someone who brings bad luck to a ship). As the tension rises, crew member Nagle deliberately bumps shoulders with Hollom as he passes him on the deck and is flogged for insubordination. That night, Hollom commits suicide by jumping overboard with a cannonball; Aubrey holds a service for Hollom the next morning. The wind picks up again, and Surprise resumes the chase.

The next day, Royal Marine officer Captain Howard attempts to shoot an albatross but accidentally hits Maturin instead. The surgeon's mate informs Aubrey that unless the bullet and a piece of cloth it took with it are removed soon, they will fester. He also recommends the delicate operation be performed on land. Aubrey returns to the Galápagos, where Maturin performs surgery on himself using a mirror. Finally giving up the pursuit of the privateer, Aubrey grants Maturin the chance to explore the Galápagos Islands and gather specimens before they head for home. While looking for a species of flightless cormorant, the doctor discovers Acheron on the other side of the island. Maturin abandons most of his specimens and hurries to warn Aubrey.

Surprise readies for battle once more. Due to Acheron's stronger hull, the crew recognizes that they must be extremely close for their guns to have an effect. After observing the camouflage ability of one of Maturin's specimens, Aubrey disguises Surprise as a whaling ship; he hopes the French will be lured in to capture the valuable ship rather than destroy it. Acheron falls for the disguise, and Surprise launches her attack. With the back wheels of the cannons taken off, the cannons are angled upward and fire upon Acheron's mainmast while Captain Howard's Marine sharpshooters pick off the crew of Acheron from above. Acheron is disabled when the mainmast snaps and falls into the sea. Aubrey leads boarding parties, engaging in fierce hand-to-hand combat. Upon capturing the ship, Aubrey is informed by the ship's doctor, Le Vigny, that the French captain is dead and is given the Captain's sword.

Acheron and Surprise are repaired and Surprise remains in the Galápagos. Lieutenant Pullings is promoted to captain and ordered to sail the captured Acheron to Valparaíso. As Acheron sails away, Maturin mentions that Le Vigny had died months ago. Realising that the French captain deceived him, Aubrey gives the order to change course to intercept Acheron and escort her to Valparaíso, and for the crew to assume battle stations. Maturin is again denied the chance to explore the Galápagos, but Aubrey wryly notes that since the bird he seeks is flightless, "it's not going anywhere." The two then play Musica notturna delle strade di Madrid by Luigi Boccherini as Surprise turns in pursuit of Acheron once more.

Cast

See also: Recurring characters in the Aubrey–Maturin series
Russell Crowe in 2013 (left) and Paul Bettany in 2014

In trying to find men who looked as though they were from the 19th century, Weir recruited many extras from Poland.[8] Philip French noted that the casting of Crowe, an Australian, as a British naval hero followed a tradition in film (e.g. Errol Flynn as Geoffrey Thorpe in The Sea Hawk, Peter Finch as Lord Nelson in Bequest to the Nation, and Mel Gibson as Fletcher Christian in The Bounty).[4]

Production

Source material

Main article: Aubrey–Maturin series
The film was adapted from the Aubrey-Maturin novels written by Patrick O'Brian (pictured).

The film is drawn from the Aubrey–Maturin novels by Patrick O'Brian, but matches the events in no one novel.[citation needed] The author drew from real events in the Napoleonic Wars, as he describes in the introduction to the first novel, Master and Commander.[citation needed] Various opinions have been offered with regard to which Royal Navy captain most closely matches the fictional character of Aubrey;[citation needed] David Cordingly, writing for The Daily Telegraph, unabashedly suggests Captain Lord Thomas Cochrane, 10th Earl of Dundonald,[9] a view with which the Royal Navy Museum concurs, at least with regard to the inspiration for the captain's character in the first novel, Master and Commander.[10]

While no one historic English captain is a complete match for Aubrey,[citation needed] the exploits of two naval captains are said to have inspired events in the novels, the forementioned Captain Lord Thomas Cochrane,[9][10] and Captain William Woolsey.[citation needed] Cochrane used the ruse of placing a light on a floating barrel at night to avoid capture.[11][non-primary source needed][original research?] Woolsey, aboard HMS Papillon, disguised a ship under his command as a commercial boat; on discovering information that a rogue ship was on the other side of a small island, he sailed around the island and captured the Spanish ship, on April 15, 1805.[12][non-primary source needed][original research?]

The film combines elements from three different novels of Patrick O'Brian,[citation needed] but its principle source is his tenth novel, The Far Side of the World.[4] In the film, however, the action takes place in 1805 (during the Napoleonic wars), rather than in 1812 (during the U.S.-U.K. conflict of that period);[4][better source needed] academic historian Cathy Schultz (University of St. Francis) confidently asserts that the "filmmakers thought American audiences might not want to see Americans as the villains", leading them to "switc[h] the events to 1805",[13] an assertion strongly disputed by 20th Century Fox chief executive Tom Rothman,[14] who initiated the film's development.[8] With regard to further differences between source novel and film, the fictional opponent was changed from USS Norfolk to the French privateer frigate Acheron.[15][note 2] As well, the film excludes scenes from the books that took place in ports,[clarification needed] and, besides Brazilian women in a single scene, the novels' female characters were not adapted.[4]

The episode in which Aubrey deceives the enemy by means of a raft bearing lanterns is taken from Master and Commander,[citation needed] while the episode in which Maturin directs surgery on himself, while gritting his teeth in pain, to remove a bullet is taken from HMS Surprise.[16][non-primary source needed][original research?] The stern chase around Cape Horn is taken from the novel Desolation Island,[citation needed] although Acheron replaced the Dutch 74-gun warship Waakzaamheid,[citation needed] Surprise replaced Leopard,[citation needed] and in the book it is Aubrey who is being pursued around the Cape of Good Hope.[citation needed][original research?]

Development

20th Century Fox executive Tom Rothman had wished to adapt O'Brian's novels since first reading them, recognizing the potential for a film franchise. Becoming CEO, he recruited director Peter Weir to helm the project.[8]

Filming

The gimbal upon which the ship was mounted
Replica ship at Baja Studios

Great efforts were made to reproduce the authentic look and feel of life aboard an early nineteenth-century man-of-war. In addition to 2,000 hats and 1,900 pairs of shoes, some 400 pounds of hair were used on actors.[14]

However, only ten days of the filming took place at sea aboard Rose (a reproduction of the 18th-century post ship HMS Rose).[8][note 3] Other scenes were shot on a full-scale replica mounted on gimbals in a nearly 20-million-gallon tank at Baja Studios in Mexico,[14][17][8] built for the filming of Titanic (1997).[18][14]

There was a third HMS Surprise which was a scale model built by Weta Workshop. A storm sequence was enhanced using digitally composited footage of waves shot on board a modern replica of Cook's Endeavour rounding Cape Horn. All of the actors were given a thorough grounding in the naval life of the period in order to make their performances as authentic as possible. The ship's boats used in the film were Russian Naval six- and four-oared yawls supplied by Central Coast Charters and Boat Base Monterey.[citation needed] Their faithful 18th-century appearance complemented the historical accuracy of the rebuilt "Rose," whose own boat, the "Thorn", could be used only in the Brazilian scene.[citation needed]

Master and Commander was the first non-documentary film to shoot on-location in the Galápagos.[8] Filming took place from June to November 2002.

Sound

Sound designer Richard King earned Master and Commander an Oscar for its sound effects by going to great lengths to record realistic sounds, particularly for the battle scenes and the storm scenes.[19] King and director Peter Weir began by spending months reading the Patrick O'Brian novels in search of descriptions of the sounds that would have been heard on board the ship—for example, the "screeching bellow" of cannon fire and the "deep howl" of a cannonball passing overhead.[19]

King worked with the film's Lead Historical Consultant Gordon Laco, who located collectors in Michigan who owned a 24-pounder and a 12-pounder cannon. King, Laco, and two assistants went to Michigan and recorded the sounds of the cannon firing at a nearby National Guard base. They placed microphones near the cannon to get the "crack" of the cannon fire, and also about 300 yards (270 m) downrange to record the "shrieking" of the chain shot as it passed overhead. They also recorded the sounds of bar shot and grape shot passing overhead, and later mixed the sounds of all three types of shot for the battle scenes.

For the sounds of the shot hitting the ships, they set up wooden targets at the artillery range and blasted them with the cannon, but found the sonic results underwhelming. Instead, they returned to Los Angeles and there recorded sounds of wooden barrels being destroyed. King sometimes added the "crack" of a rifle shot to punctuate the sound of a cannonball hitting a ship's hull.[19]

For the sound of wind in the storm as the ship rounds Cape Horn, King devised a wooden frame rigged with one thousand feet of line and set it in the back of a pickup truck. By driving the truck at 70 miles per hour (110 km/h) into a 30–40-knot (56–74 km/h; 35–46 mph) wind, and modulating the wind with barbecue and refrigerator grills, King was able to create a range of sounds, from "shrieking" to "whistling" to "sighing", simulating the sounds of wind passing through the ship's rigging.

Richard Tognetti, who scored the film's music, taught Crowe how to play the violin, as Aubrey plays the violin with Maturin on his cello in the movie.[20] Crowe purchased the violin personally as the budget did not allow for the expense. The violin was made in 1890 by the Italian violin maker Leandro Bisiach, and sold at auction in 2018 for US$104,000.[21] Bettany learned how to play the cello for the role of Maturin, so the pair could be filmed playing with proper posture and technique instead of miming. The recording was dubbed in the final version of the film.[22][23]

Music

Iva Davies, lead singer of the Australian band Icehouse, traveled to Los Angeles to record the soundtrack to the film with Christopher Gordon and Richard Tognetti. Together, they won the 2004 APRA/AGSC Screen Music Award in the "Best Soundtrack Album" category.[24] The score includes an assortment of baroque and classical music, notably the first of Johann Sebastian Bach's Suites for Unaccompanied Cello, Suite No. 1 in G major, BWV 1007, played by Yo-Yo Ma; the Strassburg theme in the third movement of Wolfgang Amadeus Mozart's Violin Concerto No. 3; the third (Adagio) movement of Corelli's Christmas Concerto (Concerto grosso in G minor, Op. 6, No. 8); and a recurring rendition of Ralph Vaughan Williams's Fantasia on a Theme of Thomas Tallis. The music played on violin and cello before the end is Luigi Boccherini's String Quintet (Quintettino) for 2 violins, viola & 2 cellos in C major ("Musica notturna delle strade di Madrid"), G. 324 Op. 30. The two arrangements of this cue contained in the CD differ significantly from the one heard in the movie.

The song sung in the wardroom is "Don't Forget Your Old Shipmates", a British Navy song written in the early 1800s and arranged in 1978 by Jim Mageean[25] from his album Of Ships... and Men.[26] The tunes sung and played by the crew on deck at night are "O'Sullivan's March", "Spanish Ladies" and "The British Tars" ("The shipwrecked tar"), which was set to tune of "Bonnie Ship the Diamond" and called "Raging Sea/Bonnie Ship the Diamond" on the soundtrack.

Release and reception

Theatrical release

On November 17, 2003, Master and Commander had its UK Premiere at the 57th Royal Film Performance, a fundraising event held in aid of The Film and TV Charity.[27]

Box office

Hoping to draw adults during the film awards seasons, Master and Commander was slated for a release in mid-November 2003. However, the film failed to reach the No. 1 spot on its opening weekend.[8] It opened #2 behind Christmas comedy Elf in the first weekend of North American release, November 14–16, 2003, earning $25,105,990.[28][8][3] It dropped to the #4 position in the second weekend and #6 in the third, and finished the domestic run with $93,927,920 in gross receipts. Outside the U.S. and Canada, the film grossed $118,083,191, doing best in Italy (at $15,111,841).[3] The film grossed $212 million globally, barely recouping its $150 million budget.[8]

Despite the successes of Titanic in 1997, Saving Private Ryan in 1998 and Gladiator in 2000 (the latter also starring Crowe), the historical epic had lost much of its popularity among general audiences by the time of the Master and Commander release. In 2003, the box office was largely dominated by escapist and fantasy films, such as X2: X-Men United, Finding Nemo, Pirates of the Caribbean: The Curse of the Black Pearl, and The Lord of the Rings: The Return of the King. In addition to being more erudite, Master and Commander's realistic and gruesome depiction of combat may have been too serious for audiences during the holiday season. O'Brian's novels also had little name recognition.[8]

Critical response

On review aggregate website Rotten Tomatoes, 85% of 222 critics gave the film an overall positive review, with an average rating of 7.6/10. The site's critics consensus states: "Russell Crowe's rough charm is put to good use in this masterful adaptation of Patrick O'Brian's novel."[29] On Metacritic, the film has a weighted average score of 81 out of 100 based on 42 critics, indicating "universal acclaim".[30] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.[31]

Roger Ebert gave the film 4 stars out of 4, saying that "it achieves the epic without losing sight of the human".[18] The Guardian's Peter Bradshaw praised the film and Crowe's performance.[32] New York Times critic A. O. Scott described the film as "stupendously entertaining".[33] However, Jason Epstein, also writing for The New York Times, criticized the film, taking issue with changes from the novel, Crowe's "one-dimensional action hero", and implausible events in the script.[14]

Christopher Hitchens gave a mixed review: "Any cinematic adaptation of O'Brian must stand or fall by its success in representing this figure [Dr. Stephen Maturin]. On this the film doesn't even fall, let alone stand. It skips the whole project." (The film omits completely the fact that the doctor and naturalist is also a spy for England—a key plot element in the novels.) Hitchens nonetheless praised the action scenes, writing: "In one respect the action lives up to its fictional and actual inspiration. This was the age of Bligh and Cook and of voyages of discovery as well as conquest, and when HMS Surprise makes landfall in the Galapagos Islands we get a beautifully filmed sequence about how the dawn of scientific enlightenment might have felt."[34]

San Francisco Chronicle film reviewer Mick LaSalle was generally downbeat and, after praising director Weir's handling of scenes with no dialogue, observed that "Weir is less surefooted as a screenwriter. Having not read any of O'Brian's novels, I can't say if the fault is in Weir's adaptation or in the source material, but halfway into 'Master and Commander,' the friendship of the captain and the doctor begins to seem schematic, as if all the positive traits that an individual could have were divided equally between these two guys, just so they can argue. Their interaction takes on a preening quality, reminiscent of the interaction of the 'Star Trek' characters four or five movies down the line. We come to realize that the specific adventure matters little except as a showcase for these personalities. Once that happens, the story involving the French ship loses much of its interest and all of its danger, and the movie starts taking on water. 'Master and Commander' stays afloat to the finish, but that's all that can be said."[35]

Accolades

Main article: List of accolades received by Master and Commander: The Far Side of the World

At the 76th Academy Awards in 2004, Master and Commander received ten nominations: Best Cinematography, Best Sound Editing, Best Picture, Best Director, Best Art Direction, Best Costume Design, Best Film Editing, Best Makeup, Best Sound Mixing and Best Visual Effects. It won the awards for Best Cinematography and Best Sound Editing.[36][37] The film also garnered Weir the BAFTA Award for Best Direction.[38]

Legacy

HMS Surprise (replica)
The replica of HMS Surprise used in the film docked in San Diego, 2012

Weir, asked in 2005 if he would make a sequel, stated he thought it "most unlikely", and after internet rumors to the contrary, stated "I think that while it did well...ish at the box office, it didn't generate that monstrous, rapid income that provokes a sequel."[39] In 2007 the film was included on a list of "13 Failed Attempts To Start Film Franchises" by The A.V. Club, noting that "this surely stands as one of the most exciting opening salvos in nonexistent-series history, and the Aubrey–Maturin novels remain untapped cinematic ground."[40]

In December 2010, Crowe launched an appeal on Twitter to get the sequel made: "If you want a Master and Commander sequel I suggest you e-mail Tom Rothman at Fox and let him know your thoughts".[41]

Film critic Scott Tobias wrote a positive retrospective article about this film in 2019, begrudging the fact that Pirates of the Caribbean: The Curse of the Black Pearl, another sea-faring film also released in 2003, had led to a string of Pirates of the Caribbean fantasy films, but there was no demand for a sequel featuring Captain Jack Aubrey and deeply rooted in historical facts of the Napoleonic Wars, the Age of Sail and the Age of Discovery.[42]

In summer 2020, Vulture noted that the "film is ripe for reappraisal."[43] In January 2021, Crowe publicly defended the film from criticism.[44][45][46] A March 2023 story in GQ noted the film's continued popularity among millennial men who were watching the film on streaming services. It theorized that this was in part due to the film's portrayal of "non-toxic masculinity" and strong male friendships, particularly the one between Aubrey and Maturin. "Overall, the masculinity of Master and Commander ... is overwhelmingly wholesome and positive," reporter Gabriella Paiella wrote. "Any nostalgia for the traditionalism in the movie is less reactionary and more about the healthy male bonding between the characters." That was contrasted with continued problems with male bonding among 2020s American men.[47]

Prequel

In June 2021, it was reported that a second film is in development by 20th Century Studios, a prequel based on the first novel only, with Patrick Ness penning the script.[48] [needs update]

Notes

  1. ↑ Although 20th Century Fox engaged Miramax Films and Universal Pictures to co-finance and co-produce the film, Fox itself distributed the film.[1]
  2. ↑ The Acheron design presented in the film was constructed by the film's special-effects team who took stem-to-stern digital scans of USS Constitution at her berth in Boston, from which a computer model of Acheron was created.[15]
  3. ↑ The Rose is now renamed HMS Surprise in honor of her movie role; she is moored at the San Diego Maritime Museum and serves as a dockside attraction. In September 2007, the ship was returned to sailing status.

References

  1. ↑ Staff (August 14, 2003). "Master and Commander: The Far Side of the World". Entertainment Weekly. Archived from the original on September 12, 2019. Retrieved December 19, 2014.
  2. ↑ "MASTER AND COMMANDER – THE FAR SIDE OF THE WORLD (12A)". British Board of Film Classification. October 28, 2003. Archived from the original on March 6, 2016. Retrieved October 1, 2015.
  3. ↑ 3.0 3.1 3.2 3.3 "Box Office History". Box Office Mojo. Archived from the original on May 14, 2019. Retrieved January 30, 2009.
  4. ↑ 4.0 4.1 4.2 4.3 4.4 4.5 French, Philip (November 22, 2003). "Command Performance". The Guardian. Archived from the original on January 26, 2021. Retrieved March 1, 2021. The title derives from the first Aubrey-Maturin novel and the tenth book in the series, which is the principal source. ... The film's director, Peter Weir, and John Collee, his co-screenwriter, have made a major change by shifting the time from 1812 to 1805, some weeks before Trafalgar, and turning the enemy into France instead of the United States. They've also taken the bold step of eliminating any scenes shot in ports... and reducing the female presence...
  5. ↑ "James D'Arcy". Rotten Tomatoes. Archived from the original on January 24, 2021. Retrieved March 1, 2021.
  6. ↑ "Robert Pugh". BBC. Archived from the original on June 13, 2016. Retrieved March 1, 2021.
  7. ↑ Moore, Roger (November 8, 2003). "Crowe Isn't Playing — He Owns Jack Aubrey". Orlando Sentinel. Archived from the original on April 27, 2021. Retrieved March 2, 2021.
  8. ↑ 8.0 8.1 8.2 8.3 8.4 8.5 8.6 8.7 8.8 8.9 Fuster, Jeremy (November 13, 2018). "'Master and Commander': 15th Anniversary of the Franchise That Never Was". The Wrap. Archived from the original on November 29, 2020. Retrieved February 18, 2021.
  9. ↑ 9.0 9.1 Cordingly, David (September 2, 2007). "The Real Master and Commander". The Daily Telegraph. Archived from the original on January 12, 2022. Retrieved November 30, 2016.
  10. ↑ 10.0 10.1 "Thomas Cochrane". Greenwich: National Maritime Museum, Royals Museums. Archived from the original on February 18, 2021. Retrieved December 4, 2016.
  11. ↑ Cochrane, Thomas, Earl of Dundonald (1860). The Autobiography of a Seaman. Vol. I. London: Richard Bentley. p. 107. Archived from the original on May 3, 2021. Retrieved September 4, 2017.{{cite book}}: CS1 maint: multiple names: authors list (link)
  12. ↑ James, William I (1837). The Naval History of Great Britain from the Declaration of War by France in 1793 to the Accession of George IV. Vol. 4 (New ed.). Bentley. pp. 132–133. Archived from the original on February 18, 2021. Retrieved November 30, 2016.
  13. ↑ Schultz, Cathy (April 18, 2004). "The British Navy Sails again in "Master and Commander"". Joliet Herald News. Archived from the original on October 29, 2016. Retrieved July 6, 2023 – via History in the Movies (stfrancis.edu/content/historyinthemovies).
  14. ↑ 14.0 14.1 14.2 14.3 14.4 Epstein, Jacob (November 16, 2003). "Film; 'Master and Commander': On the Far Side of Credibility". The New York Times. Archived from the original on November 12, 2020. Retrieved February 21, 2021.
  15. ↑ 15.0 15.1 Hendrix, Steve (November 16, 2003). "Now Playing at a Theater Near You: Old Ironsides". The Washington Post. Archived from the original on February 20, 2015. Retrieved September 4, 2017.
  16. ↑ O'Brian, Patrick (1973). HMS Surprise. UK: Collins. ISBN 9780002213165.[page needed])
  17. ↑ Tobias, Scott (January 4, 2019). "Revisiting Hours: Ships Ahoy — 'Master and Commander'". Rolling Stone. Archived from the original on January 17, 2021. Retrieved February 18, 2021.
  18. ↑ 18.0 18.1 "Master and Commander: The Far Side of the World". RogerEbert.com. Archived from the original on January 12, 2021. Retrieved January 10, 2021.
  19. ↑ 19.0 19.1 19.2 ""The Sounds of Realism in 'Master and Commander'" - National Public Radio interview with Richard King". Npr.org. November 13, 2003. Archived from the original on March 17, 2012. Retrieved April 28, 2012.
  20. ↑ Chenery, Susan (March 30, 2019). "Against the tide". The Weekend Australian. Retrieved March 30, 2019.
  21. ↑ "Movie Star Russell Crowe's Violin Has Sold at Auction for $104,000". Classical Music News. April 8, 2018. Archived from the original on March 28, 2019. Retrieved March 28, 2019.
  22. ↑ Susman, Gary (November 13, 2003). "Paul Bettany on Master's funniest sea story". Entertainment Weekly. Archived from the original on April 24, 2021. Retrieved April 24, 2021. Our fingers are in the right place, and our bowing is good, but you wouldn't want to hear the sound we were making.
  23. ↑ Smith, Lynn (December 19, 2003). "English actor Paul Bettany finds, for him, it's 'Carry on, doctor'". Chicago Tribune. Archived from the original on April 27, 2021. Retrieved April 27, 2021. Even after seven months of practice to learn four classical pieces, Bettany admits, "we sounded like two people trying to kill wounded animals." When they filmed the duets, Weir says he played the professionals' recording used in the film as background so the actors couldn't hear themselves.
  24. ↑ "2004 Winner Best Soundtrack Album – Screen Music Awards". Australasian Performing Right Association (APRA). Archived from the original on October 5, 2016. Retrieved July 7, 2016.
  25. ↑ Bryant, Jerry (June 11, 2010). ""Long we've toiled on the rolling wave": One sea song's journey from the gun deck to Hollywood". Music of the Sea Symposium. Archived from the original on September 7, 2015. Retrieved February 22, 2016.
  26. ↑ "Jim Mageean – Of Ships...And Men". Discogs. 1978. Archived from the original on June 29, 2016. Retrieved February 22, 2016.
  27. ↑ Kay, Jeremy. "Master And Commander chosen as Royal Command Performance". Screen. Archived from the original on August 16, 2022. Retrieved August 16, 2022.
  28. ↑ "'Elf' a giant at the box office". Los Angeles Times. November 17, 2003.
  29. ↑ "Master and Commander: The Far Side of the World (2003)". Rotten Tomatoes. Fandango. November 14, 2003. Archived from the original on October 29, 2020. Retrieved October 12, 2023.
  30. ↑ "Master and Commander: The Far Side of the World Reviews". Metacritic. CBS Interactive. Archived from the original on September 28, 2015. Retrieved October 1, 2015.
  31. ↑ "CinemaScore". Archived from the original on December 20, 2018. Retrieved March 31, 2021.
  32. ↑ Bradshaw, Peter (November 21, 2003). "Master and Commander: The Far Side of the World". The Guardian. Archived from the original on January 25, 2021. Retrieved March 1, 2021.
  33. ↑ Scott, A.O. (November 14, 2003). "Film Review; Master Of the Sea (And the French)". The New York Times. Retrieved August 23, 2022.
  34. ↑ Hitchens, Christopher (November 14, 2003). "Empire Falls – How Master and Commander gets Patrick O'Brian wrong". Slate. Archived from the original on February 18, 2021. Retrieved April 24, 2014.
  35. ↑ LaSalle, Mick (November 14, 2003). "Grab your breeches, hoist the mainsail and prepare for an epic ride -- but is 'Master and Commander' seaworthy?". SFGate.com. Archived from the original on December 12, 2017. Retrieved September 10, 2018.
  36. ↑ "Terry Lawson Picks The Oscars". Detroit Free Press. March 1, 2004. p. 2. Archived from the original on September 21, 2022. Retrieved September 21, 2022 – via Newspapers.com. open access publication – free to read
  37. ↑ "The 76th Academy Awards (2004) Nominees and Winners". oscars.org. Archived from the original on September 29, 2012. Retrieved November 20, 2011.
  38. ↑ "Film: David Lean Award for Achievement in Direction in 2004". BAFTA. Archived from the original on October 27, 2020. Retrieved February 21, 2021.
  39. ↑ Rahner, Mark (August 30, 2005). "What hath Peter Weir wrought?". Seattle Times. Archived from the original on March 4, 2016. Retrieved October 2, 2015.
  40. ↑ Bowman, Donna; Noel Murray; Sean O'Neal; Keith Phipps; Nathan Rabin; Tasha Robinson (April 30, 2007). "Inventory: 13 Failed Attempts To Start Film Franchises". The A.V. Club. Archived from the original on July 6, 2011. Retrieved July 13, 2011.
  41. ↑ Crowe, Russell (December 6, 2010). "If you want a Master and Commander sequel I suggest you e-mail Tom Rothman at Fox and let him know your thoughts". Archived from the original on November 9, 2020. Retrieved February 7, 2016.
  42. ↑ Tobias, Scott (January 4, 2019). "Revisiting Hours: Ships Ahoy — 'Master and Commander'". Rolling Stone. Archived from the original on January 9, 2019. Retrieved January 7, 2019.
  43. ↑ Grierson, Tim; Leitch, Will (August 21, 2020). "Every Russell Crowe Movie Performance, Ranked Whether in Westerns or biopics, action flicks or sports movies, Crowe has an unmistakable swagger". Vulture. New York. Archived from the original on October 15, 2020. Retrieved February 19, 2021.
  44. ↑ Parker, Ryan (January 17, 2021). "Russell Crowe Defends 'Master and Commander' After Rude Twitter Remark". The Hollywood Reporter. Archived from the original on February 4, 2021. Retrieved February 19, 2021.
  45. ↑ Shafer, Ellise (January 17, 2021). "Russell Crowe Responds to Tweet Criticizing 'Master and Commander': 'Kids These Days'". Variety. Archived from the original on February 4, 2021. Retrieved February 19, 2021.
  46. ↑ Kiefer, Halle (January 17, 2021). "If You Don't Like 2003's Master and Commander, That's On You, Says Its Star Russell Crowe". Vulture. New York. Archived from the original on January 18, 2021. Retrieved February 19, 2021.
  47. ↑ Paiella, Gabriella (March 8, 2023). "Why Are So Many Guys Obsessed With 'Master and Commander'?". GQ. Retrieved March 11, 2023.
  48. ↑ Kroll, Justin (June 4, 2021). "20th Century Developing New 'Master And Commander' Movie With Patrick Ness Penning the Script". Deadline Hollywood. Archived from the original on June 4, 2021. Retrieved June 4, 2021.

Bibliography

Further reading

External links

Retrieved from "https://www.ooda.wiki/index.php?title=Master_and_Commander:_The_Far_Side_of_the_World&oldid=12490"